Warrior Women:
How It All Began
Early Spring 2018
American politics exploded, resulting in a fracture in society and a focus on the uncovering of the discrimination of women. My creative muse had vanished and I was unable to work for five or six months.
In an attempt to escape my depression and fulfill my commitment for new work I decided to go back to what was familiar and throw some large porcelain vases. I thought working on the wheel might break the my creative block. Surprisingly, stacking those thrown forms gave me something else: the shape of a woman’s headless torso. Suddenly, the intense feelings of anger and helplessness, generated from reading the New York Times and its daily political headlines, were being channeled into those female shapes, those representational figures. My muse had shown herself, literally.
The First Ten
The backstory for my first group of Warrior Women begins with the breaking of the Harvey Weinstein stories in the New York Times in August of 2017. It was fueled even earlier by Trump’s famously offensive comments caught on an “Access Hollywood” tape revealed in 2016. In essence, this was a confession, a public disclosure of his sexual attitudes and assaults on women. The NYT began running front page stories daily dealing with sexual assault, the denigration of women and sexist power plays. None of these stories surprised many women, but the quantity and disturbing details were a shock, especially seen on the front page of the Times. I was horrified, but also impressed by the bravery, openness and frank disclosures from so many women. I felt like the tide was changing.
My response to this tsunami of revelation was much like that of so many other women: increasing anger, and the hurt of uncovering painful personal experiences and reliving the past all over again. There are very few of us who don’t have a story. I don’t march in the streets, join groups, run for office or write articles. I make things.
My reaction to all this brave, courageous revealing -- of things all of us would prefer not to hear or experience, or re-experience -- is intensely visceral. I feel it in my throat with suppressed screams, in my guts, my bowels, my joints. My eyes burn with hot tears of fury, and I shake with outrage and empathy. My only relief comes from staying busy, creating and trying to understand. These first 10 figures were built fast and furiously. They are all fairly interchangeable and represent the mass victimization of women.
Women as Vessels
Moving into a new stage and wanting to work larger and in more detail, I switched from porcelain to a white stoneware clay. This change enabled me to more aptly explore the theme of “Women as Vessels.” Through these vessels, I could represent and explore women's roles and their intrinsic importance to the human race. Looking at value without the focus of sexual attraction, these pieces are not sexualized, but more safely matronly.
Mary obviously belongs in the second category, “Women as Vessels.” She represents the quintessential state of womanhood, pregnancy. Is she manifistating her biological destiny or is she held captive by the rules and expectations of those in power? This question is a complex and deeply personal one. I feel that each of us needs to make that decision for herself. Many women around the world have no say in that choice because they have no control over their reproductive lives. They lack birth control, legal abortions, they are controlled by cultural attitudes and patriarchal societies. In the same places where there are severe repercussions for unwanted pregnancies, pregnancy can be a dangerous state due to lack of medical care.
#015 MARY
Women as Warriors
The third stage of the series happened quite naturally. As the figures established a sense of value in the second stage, they became more proactive, more prepared for offense -- not just defense. Some of them became weaponized. They also became more upright and sexually mature, proud and confident, strong and unafraid.
#019 JOAN
Suddenly, as Lorena stood up straight. I felt my own spine straighten. I felt her power, her strength and I could breathe deeply. No apologies, no justification needed for myself or for my art. Lorena is not only sexually mature and proud, she is strong and capable. She is resourceful, she has weaponized herself. This piece truly marked a turning point in the evolution of the series and in myself. Lorena would not hesitate to defend herself.